HOW TO MAKE A KILLING DRAFT
Blueprint Pictures/A24/Studio Canal
Director: John Patton Ford
Heir today, gone tomorrow.
Disowned at birth by his obscenely wealthy family, blue-collar Becket Redfellow will stop at nothing to reclaim his inheritance, no matter how many relatives stand in his way.
GALLERIES
Press
THE SET SET
Read or listen to the interview “How Production Designer Christian Huband Designed A Mansion Worth Killing For”
THE JAM REPORT
Technically, the film is polished. Production designer Christian Huband crafts interiors that reflect the sterile opulence of the Redfellow dynasty, spaces that feel simultaneously luxurious and emotionally hollow.
CLUTCH POINT
Clever concept, even better execution.
SANTA MONICA MIRROR
The mansion that Production designer Christian Huband uses for the Redfellow estate seems to ooze with old money and has a foreboding aura as the backdrop for dramatic scenes.
THE SPOOL
Production Designer Christian Huband and Costume Designer Jo Katsaras slay (no pun intended) in their respective departments. Huband especially excels in realizing the polished yet quietly confining aura in Becket’s cushy Wall Street workspace.
SLANT MAGAZINE
How to Make a Killing is gleaming, its pristine surfaces implicitly conveying the rot beneath rampant decadence. The film looks extravagant.
MOVIE FREAK
It all looks great, as the technical facets (most notably the editing, costumes, and production design) are outstanding across the board.
UK Agent
Vanessa Jones, Cara McKenzie and George Rumsey
Independent Talent Group Ltd
40 Whitfield Street
London, W1T 2RH
Tel: +44 (0)20 7034 2141
Email: itgbtl@independenttalent.com